DEMO
MATERIAL
Click on a shot name to play the quicktime.
We did the set extension
and effects of the
The hyenas were our main creations on this
movie. They are the heroes of a sequence and come back a few times during the
film. We also had some effects (dust etc) and shadow/light passes to integrate,
always keeping in mind the overall darkness of the shots. (these quicktimes are heavy, you might want to save them locally first)
I supervised the compositing of this Discovery Channel
project during the winter 2004-2005 (team of 10 compers).
This drama, based on a book, follows two probes on a
exploring mission to a foreign planet. The creatures were CG in a mapped environment : 360 degrees digital images were shots on
various locations and were then
separated into elements (skies, mountains etc) that were projected on geometry,
and then comped with a dose of color corrections,
smoothing and overall massaging. These clips only shot one of many different
creatures; I participated in the look development of this sequence.
Scooby Doo
2 : Monsters Unleashed
Being the
dinosaur specialists that Meteor Studios is, we were awarded the pterodactyl
sequence. Scooby himself was provided as an element and we integrated him at
the same time.
Coming soon (march
2007) : 300. Watch the 300 trailer, also
available in HD.
In October 2005, I was responsible for
compositing the test shot for 300; I was also in charge of the look development
(intensive color corrections based on client requests, visual references and
concept arts) until the Comp Lead started on the show in February 2006. The
shot was I used for the look was the medium close up shot of the Messenger that
we see in the trailer (the black man with a jeweled hat).
I worked on several shots of the wheat fields sequence as well as some shots
that take place in the marketplace of
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Juliette Mourez, visual effects compositor
mourjul-compositing@yahoo.ca